FINISHES MAY VARY WITHIN THE EDITION
The indefatigable Frederik Molenschot closely scrutinises the palpitations of cities. Metropolises seem
to be immense galaxies irremediably and endlessly criss-crossing. He feels the city’s threat and its great poetry deeply. At night in particular, when he is riding through the streets of Shanghai without brakes, lights appear then disappear in a random movement, the focal point of which is his own perception.
Inspired by this intensity, Frederik Molenschot has invented an impressive light that would not be out of place in a palace in the Age of Enlightenment. This far-reaching object requires the luxury of space, haloed with golden glints that invites emptiness and creates a poetic drunkenness. To create it, Frederik Molenschot worked with bronze for the first time, using an ancestral technique for its finesse and movement. The piece took three years to make and was made possible thanks to the subtle collaboration of the foundry. The way they approached the materials, the shaping of the wax mould to reproduce a faithful print of the hand gestures won him over. The structure is both complex and sophisticated, a sinuous curve rolled up in the space punctuated with reflectors. The piece is evidence of Frederik Molenschot’s capacity to express his feelings with precision through an artistic gesture in space. This hanging structure suggests risk-filled wanderings through the twisted city. Citylight is the metaphorical expression of the incomparable energy of a city where meaning goes off the rails.
The designer’s project expresses an urban emotional cartography; it is the manifestation through the object of the impossible representation of the spirit of the place.