Léa Mestres is a French artist and designer based in Vernon, Giverny.
Mestres counters a design world that in her opinion often feels too serious and too masculine. She stands out with fun, colourful objects, which are intentionally bright and breezy as a reflection of her own personality. It is vital to the artist that she design objects that bring joy to others, rather than something elegant but characterless. She finds inspiration in the absurd, citing her frequent trips to the Salvador Dali Museum in Figuras, Spain, as particularly impactful. Idiosyncrasies like the stylised pattern of brioche and eggs that cover the museum’s walls have influenced the unrepressed expression in her work.
This exhibition features three new sculptural lamps from her debut Craving for Crepi collection. Mestres first sculpts each piece by carving into foam, then covers them in her own plaster recipe. Her functional artworks are premeditated through sketching and drawing, but Mestres pinpoints the tactile creative process as the time when she impregnates each work with its individuality. Embracing childish impulses, Mestres likes playing with scale and sometimes makes ridiculously big objects.
Each unique piece in Craving for Crepi is given a woman’s name, heightening a sense of anthropomorphism. Recently these have been the names of her friends’ grandmothers, who she can imagine sitting in the show chatting amongst themselves.
Léa Mestres is a French artist and designer based in Vernon, Giverny.
Mestres counters a design world that in her opinion often feels too serious and too masculine. She stands out with fun, colourful objects, which are intentionally bright and breezy as a reflection of her own personality. It is vital to the artist that she design objects that bring joy to others, rather than something elegant but characterless. She finds inspiration in the absurd, citing her frequent trips to the Salvador Dali Museum in Figuras, Spain, as particularly impactful. Idiosyncrasies like the stylised pattern of brioche and eggs that cover the museum’s walls have influenced the unrepressed expression in her work.
This exhibition features three new sculptural lamps from her debut Craving for Crepi collection. Mestres first sculpts each piece by carving into foam, then covers them in her own plaster recipe. Her functional artworks are premeditated through sketching and drawing, but Mestres pinpoints the tactile creative process as the time when she impregnates each work with its individuality. Embracing childish impulses, Mestres likes playing with scale and sometimes makes ridiculously big objects.
Each unique piece in Craving for Crepi is given a woman’s name, heightening a sense of anthropomorphism. Recently these have been the names of her friends’ grandmothers, who she can imagine sitting in the show chatting amongst themselves.
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