While at Cranbrook, Maroon transformed the focus of her practice from figurative to abstract work—and literally broke her attachment to her earlier work by smashing the lot. The shards and shattered fragments left behind by that destructive act are given a second life in Maroon’s new work, symbolizing memory’s role in defining who we are and who we might become.
Maroon’s work has been exhibited nationally in Pittsburgh, Chicago, Philadelphia, New York, and Detroit.
