Roger Herman
Blumen
21st Nov 2019 - 20th Dec 2019
Monday - Saturday
10am - 6pm
Carpenters Workshop Gallery
693 Fifth Avenue NY 10022
New York

Los Angeles-based artist Roger Herman brings his painterly ceramic vessels and plates to New York for Blumen – a solo show at Carpenters Workshop Gallery. The exhibition is comprised of new ceramic vessels shown alongside a monumental installation of Herman’s decorative plates.

Blumen showcases Roger Herman’s practice over the last 40 years working at the nexus of art and design, featuring an array of his large hand-crafted ceramic vessels.

Herman comments: “I have a constant dialogue with me as a painter on canvas and a painter working on ceramics. Using the Vessel as canvas. The interesting part of making ceramics for me is that you can’t control the process as much as with painting. In the ceramics the element of surprise and the unknown is important. Painting is control, ceramic for me is letting go of that control. The best things happen often by accident.”

Selection of Works
Roger Herman

L.A. artist, Herman was born and educated in Germany. He moved to California in 1977 where he started working with canvases. Painted with a loose, colorful hand, they managed to be simultaneously expressive and conceptual, with traces of Georg Baselitz and Anselm Kiefer. Herman was recognized as the West Coast parallel of eighties neo-Expressionist movement. Gagosian quickly represented him and positioned him as the California counterpart to David Salle and Jean-Michel Basquiat.

FROM PAINTING

In the mid-eighties, Herman was offered a position in the art department of UCLA where he continues to teach and explore a broad range of styles. ‘It is about painting, not about subject matter. I don’t have a narrative,’ Herman says about his work. ‘The subject is always painting, which is why there is a repetition always— like Morandi. I’m trying to go somewhere I’m not comfortable.’

In the last thirty years, Herman has contributed to the rise of several West Coast artists, who today pay their respects to him. Artist Cyril Kuhn says, ‘Every painter in the last 30 years who has come out of Los Angeles owes a debt to him’.

Between 1998 and 2008, he ran a gallery in Chinatown for a young artist group called Black Dragon Society. In 2010, at ACME gallery, he organized ‘Los Angeles Museum of Ceramic Art,’ a show of unconventional ceramics (…). He included his own lop-sided pieces, painted with nudes in erotic poses.

TO CLAY

In 1998, Herman rethought the direction of his work, and began to work in clay. Although he had been a professor in the prestigious UCLA art department since 1984, he opted to take lessons from one of his graduate students, Lisa Yu. A self-described “binge worker,” Herman at the outset spent 10 hours a day throwing pots and drawing pictures on them of women engaged in obvious sexual acts, in the style of Japanese erotic prints.

Raw energy and an instinctual sensory relationship to colour and textures is immediately apparent through the bulk of his work, which spans from drawings to paintings, books to ceramics, t-shirts and woodcut prints. His wild blends of ad-hoc and quickly-dashed lines, shapes, opacities, smears layer together in awkward but satisfying compositions. They’re so careless as to seem accidental, but as with any material mastery, what looks effortless actually requires decades of practice. Gestures are as boldly applied as covered up, allowing shapes to recede and reveal themselves simultaneously, in a true polyphony of style.

DAAD Grant from Germany
National Endowment for the Arts Fellowship Grants
The Los Angeles County Museum of Art, Los Angeles, CA.
The Museum of Contemporary Art, Los Angeles, CA.
The Orange County Museum of Modern Art, Newport Beach, CA.
The Walker Art Center, Minneapolis, MI.
The Museum of Modern Art, San Francisco, CA.
The Achenbach Foundation, San Francisco, CA.
The Denver Art Museum, Denver, CO.
The Museo del Arte Contemporanea, Mexico City, Mexico.
The Robert Rifkind Collection.
The Gordon Hampton Collection.
The Eli Broad Collection.
The Dallas Price Collection.
The Gruenewald Center at the Hammer Museum, Los Angeles, CA.
The Achenbach Foundation, San Francisco, CA.
The Albertina, Vienna, Austria.


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