Studio Job
Here There Nowhere
19th Jan 2017 - 11th Mar 2017
Monday - Saturday
10am - 7pm
Carpenters Workshop Gallery
54 Rue De La Verrerie 75004


To start the year, Carpenters Workshop Gallery continues its ten-year anniversary programme, dedicating its Parisian space to an exclusive exhibition by renowned design duo – Studio Job.
Entitled ‘Here There Nowhere’ this exceptional solo show from Job Smeets and Nynke Tynagel will be the occasion to present new creations, some of the most emblematic pieces and for the first time drawings.
Recognised for their forward-looking approach, dreamlike and sometimes provocative designs, the exhibition will reveal the scope of the duo’s savoir-faire craftsmanship that floats between audacity, exuberance and technical prowess.


Peculiar creatures, hybrid forms or wacky objects, the works of Studio Job invent a kitsch and fanciful world where the object transcends functionality and affirms a ‘Neo-Gothic’ aesthetic championed by the duo.
Authentic figurative scenes in three dimension and tinged with irony; the creations of Studio Job play upon and thwart iconographic references, notably religious.
The piece ‘Chartres’, a detailed reconstruction close to the architecture of the cathedral, hides underneath a diptych door entirely covered in obscure figures delicately gilded with leaves.
Skulls, snakes and insects: iconoclastic symbols convoluted with sarcasm.


Behind the displayed exuberance, the design duo also affirms a satirical and political stance, as in the luminous sculpture ‘Big Ben (Aftermath)’.
A reinterpretation of the emblematic London monument and allegory for the Western, the work stages their cynical vision of a world in decline.
As storytellers, the object is never the starting point of a narrative but the whole story.
‘Train Crash’, an epic collision of two steam trains borrowed from the imagery of Western films, has the pretext of a table that despite its imposing mass defies the laws of gravity.
Alongside great history, grand monuments, cinema, or popular culture, Studio Job also draws inspiration from the anecdotal to create realistic, but always humorous ‘situational-objects’.
For example ‘Cat Fight’: a brawl between two cats becomes a pretext for a luminous sculpture.


A material favoured by the duo who have mastered all its codes, bronze is tamed and endlessly worn down. Whether painted, polished, burnished and gilded… the savoir-faire of Studio Job’s workshop allows them to cut loose from the material’s constraints and grant all its freedoms.
Depending on the pieces, the use of noble materials such as hand-blown glass and marble are added to the bronze, with which the designers then compose their pieces in very limited editions.
Essential preliminary stages, drawings and preparatory plans also constitute real works in themselves. Amongst the sculptures, four of them will be exhibited in ‘Here, There, Nowhere’: a new voyage in the Studio Job galaxy.

Selection of Works
Studio Job

Studio Job is a groundbreaking art and design studio based in Antwerp, Amsterdam and Milan. Job Smeets, a pioneer of contemporary conceptual and sculptural art and design founded Studio Job in 1998 in the renaissance spirit, combining traditional and modern techniques to produce once-in-a-lifetime objects. Joined in 2000 by graphic designer Nynke Tynagel the studio then went on to grow to over 30 craftspeople and work with a vast range of high profile clients, galleries and collectors.

In the ateliers, traditional and modern techniques are combined to produce once-in-a-lifetime objects. A vast range of crafts are practiced at Studio Job, where traditional craftspeople such as sculptors and specialists in casting bronze and making stained-glass windows and hand painting, work alongside experts adept in using lasers and 3D printing. Spread over three countries, technique, science, design and art come together in their work as examples of what can be described as Gesamtkunstwerk - a total art work or an all embracing art form.
Studio Job are pioneers of contemporary conceptual and sculptural design. The results range from unique bronze artwork in the Metropolitan Museum, New York, to a royal stamp featuring the Dutch King (forty million pieces produced) from the unique life-size bronze sculptures on Miami Beach, to the one-off Wunderkammer curiosity cabinet that Studio Job produced for Swarovski in Innsbruck. 

All Studio Job projects are distinguished by a love of detail, freedom of expression and blend of 2D and 3D. With more than 400 exhibitions, including solo shows, around the world Studio Job’s work can be found in many important museum collections. Their iconic, heraldic and cartoon-like sculptures are popular with collectors world-wide. Proclaimed one of the most influential design teams by the Financial Times, Studio Job are passionate about building up an oeuvre that is becoming increasingly extravagant in its details and increasingly personal.

Studio Job work across many areas including art, design, fashion, architecture and interiors having worked with a vast range of high profile clients including sculptures for Gufram, Barneys and LandRover, set design for Viktor & Rolf, and product collections for many brands such as Swatch, Alessi, Moooi and Pepsi to name a few. In 2017 Studio Job teamed up with Italian manufacturer Seletti to form the joint brand BLOW producing products in their pop spirit with a radical twist. In 2018 Studio Job launched their own online store JobShop of limited edition collectibles. Now in 2019 the studio open their permanent base in Milan in the prestigious area of Porta Venezia, joining the new wave of Italian post-modernists.

Job is consistently ranked as one of the world’s most influential players within design and art. The highly collectable work creates a bridge between object and product by merging monumental design and modern artwork.

/ Job Smeets, Nynke Tynagel, ‘The Book of Job’, Rizzoli, New York.

/ David Linley and C.Cator, H.Chislett, “Star Pieces – The Enduring beauty of Spectacular
Furniture”. London: Thames and Hudson, 2009.
/ Sophie Lovell, ‘Limited Edition’, Basel: Birkhauser Verlag AG, 2009.
/ Gareth Williams, “Telling Tales: Fantasy and Fear in contemporary Design”,
London: V&A Publishing, 2009.
/ S. San Pietro, et al.New Offices in Italy. Milan : Archivolto

Museum of Glass, Shanghai. State Museum of Architecture, Moscow. Audax Textile Museum, Tilburg. AraPacis Museum, Rome. Bruggemuseum, Utrecht. CODA Museum, Apeldoorn. Design Museum, London. DesignMuseum, Holon. GEM Museum, The Hague. Gemeentemuseum, The Hague. Groninger Museum, Groninge.Guggenheim, New York. High Museum, Atlanta. Indianapolis Museum of Art, Indianapolis. Milwaukee ArtMuseum, Milwaukee. Montreal Museum of Fine Arts, Montreal. MUDAC, Lausanne. Musee de la mode et dutextile, Paris. Museo Bagatti Valsecchi, Milan. Museum at FIT, New York. Museum Boijmans Van Beuningen,Rotterdam. Meseum Contemporary Art, Den Bosch. Museum of Craft and Design, San Francisco. Museumof Modern Art, New York. Museum Sheffield, Sheffield. Museum Voor Moderne Kunst Arnhem, Arnhem. NRWForum, Dusseldorf. Reunion des Musees Nationaux, Paris. Rijksmuseum, Amsterdam. Stedelijk Museum,Amsterdam. Teylers Museum, Haarlem. Victoria and Albert Museum, London. Wallraf Richartz Museum &Fondation Corboud, Koln. Z33, House for Art, Hasselt. Zuiderzee Museum, Enkhuizen.
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